At just 29 years old, Lindsay Peoples Wagner has made waves as an unapologetic force in fashion, leaving the industry positively shaking in its designer boots. The Midwest girl from Wisconsin doesn’t mince words when talking about the challenges she’s faced in an industry that has been slow to put diversity and representation at the top of their style agenda. In addition to serving up serious style as fashion editor at New York Magazine's The Cut, Wagner wrote trailblazing articles about what it's like to be black in fashion and the lack of race and size diversity in street style photography telling Fashionista that she wanted her role to explore conversations about fashion, culture, and race.

And now that she has a platform as the editor in chief of Teen Vogue (she started her career there as an intern in the fashion closets), Wagner is making sure her readers feel seen and heard, both visually and editorially, in the pages of the magazine. And the industry is taking notice. This year she was listed on both Business of Fashion BOF 500 and Forbes 30 Under 30 as one of the youngest and only prominent black editors in the industry who has maintained a strong focus on issues of race, politics, and inclusive representation throughout her career in fashion media. She truly is a force of fashion—the voice of our generation—and she’s just getting started.

CREATE & CULTIVATE: You've worked your way up from closet intern to editor in chief of Teen Vogue—congratulations!—but most people don't know just how much hard work it took to get there. What can you share about your journey to this point? How hard is it to break into the world of fashion and magazines?

LINDSAY PEOPLES WAGNER: I’m very open about the fact that this has been a climb and that it still is every single day! I'm from Wisconsin, in the Midwest, where fashion isn’t really taken seriously, and I had no family connections in the industry or a trust fund to support me, so my experience has been very different than a lot of people in fashion. I've worked hard every day to prove that just because I don’t come from this world doesn’t mean I don’t belong and have something special to offer.

You were just announced as a BOF 500 honoree for your work in shaping the fashion industry today. As one of the youngest and only prominent black editors in the industry, how are you paving the way for other women of color? How do you break through the noise and maintain a strong voice and focus? How has this resonated with your readers and Teen Vogue community?

Everything I do is always through the lens of inclusivity, so whether we’re covering fashion, politics, or anything in between, I want our readers to truly feel seen and heard with the work that we're doing. I try to make sure that we are covering not only what’s culturally relevant, but also topics that others may be too scared to talk about. Being able to toe that line has resonated with our readers and even people who don’t regularly read Teen Vogue because we’re willing to have the necessary conversations.

What do you wish you had known when you were first starting out in the world of fashion? What have been some of the biggest lessons you've learned along the way?

You always hear that, as a black woman, you have to work three times as hard. Sometimes working hard is enough, and sometimes it’s not. That was so hard for me starting out. I come from a very humble and honest upbringing, and it was shocking to me when I moved to New York and started working in fashion because I didn’t realize how many things were based on nepotism, and financial status. I had to learn that I would, in time, make my own connections and build relationships with people, but it took a long time to get to a place where I was confident enough in myself to speak up.

When you hit a bump or hurdle in your career, how do you #FindNewRoads + switch gears to find success?

It’s corny, but whenever I feel like I’m in a rut, I always make a vision board. I write out all the crazy things I’m thinking about doing, write out inspirational quotes and bible verses, and just look at it on my wall every single day and meditate on it.

You have been the editor in chief of Teen Vogue for about a year now and have been responsible for creating truly groundbreaking content that is pushing our culture forward by bringing issues of race, politics and inclusive representation to the fore. What impact do you think this has had already on inciting change? Where do you hope to take it next? What are some of the stories you are most proud of so far?

I think that when people see how unapologetic I am personally, and how unapologetic we are at Teen Vogue, it incites change and makes other people want to speak up. I hope that we continue to foster a community of changemakers because that’s what this is all about. Nothing makes me more proud than when I get messages from young people saying they’ve read something on Teen Vogue that helped them. That’s truly the best feeling.

For you, the role of fashion editor has never just been about going to shows and writing market stories, can you tell us why? How do you see your role in the industry? How has that changed over the many roles from intern to EIC?

Because I didn't grow up with connections to this industry, I always felt as if I had to find my own lane and a way to make it work for me. It’s never been about the clothes, or celebrities, or clout. My mother once told me that in order to sustain myself in this industry I would need to be what I needed when I was younger, and that’s what I try to hold on to.

From the outside looking in, the leap from market editor to editor in chief seems like a fairly large one. How did you prepare for this role? How did your previous experience in the industry shape you for this opportunity? What do you think you've brought to the role that no-one else could? Why?

I was doing a lot more than traditional market work when I was at The Cut. I used that role to write about a lot of things that I cared about deeply, and in that time I was able to also produce a lot of shoots and create content that had an effect on the industry. Other market editors might not write articles like Street Style Is Killing Itself Focusing on Thin White Women because they’re hoping to become street style stars themselves, but that’s what I think was always different about me. I always needed the role, my work, to be more than surface level.

You have a very busy schedule with shows, appointments, and meetings. What does time management look like for you? How do you fit it all in? Can you share any work hacks?

Time management is so important! I've had to learn the hard way that I need to take time for myself. I recently stopped scheduling breakfast meetings, and use that time first thing in the day to meditate, workout, and go through my email. I also don’t make any plans for the weekends. I try to see my friends and people I need to see during the week when I’m already out, so that on the weekends if I feel like leaving the house I can but if not, I don’t feel bad.

You have built a personal brand on social media alongside your successful career as a fashion editor. How do you use social media as a platform for self-expression and to highlight the work you're doing at Teen Vogue and outside of that?

Social media is tough. I try not to take myself too seriously or take my presence on social media too seriously. I don’t curate my Instagram, I don’t plan it out. It’s really just what I feel like sharing in the moment, and it’s usually pieces I’m really proud of or my thoughts on culture.

With success comes opportunity, but that also means you have your hands full. What keeps you inspired and motivated to keep going even on your most challenging days?

What keeps me going is knowing that my place in this industry is bigger than me. There are so many young black women and femmes who look up to me, and for them, I have to keep going.

What about your job do you wish more people knew? What are some of the biggest misconceptions?

How mentally taxing it is! I have to make so many tough decisions in this role, it can be hard to juggle it all at only 29 years old.

What advice do you have for other aspiring fashion editors who dream of your career success?

Do what others won’t dare to do! We don’t need any more people in fashion who just have good taste and come from money. I’m eager for this industry to embrace people who have innovative ideas and the hunger to hustle.

What is the #1 book you always recommend? Why?

I Know Why The Caged Bird Sings by Maya Angelou is a book that changed my life and can be read over and over again.

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